Cabinet Design Concept - Falcone wood cabinets

Cabinet design ideas solid wood cabinets] [Falcone Chinese design furniture is thousands of years of culture and art crystallization, and other art forms, like human life changes every step, his body will be embodied in different forms out, interpretation the process of human civilization, China's Ming Dynasty furniture to form concise, well-structured, fine workmanship, well-decorated simplified affordable, beautiful and otherworldly features ARTS Humanity known world. Therefore, the innovative design of modern Chinese furniture of Ming furniture appreciation and become one of the focal point in the development of contemporary designers and scholars. However, nowadays look at the furniture market, although the new Chinese furniture is increasing, but the vast majority of so-called Chinese-style furniture from simply retro form, the material may either mahogany or the difference between the expectations of modern Chinese furniture far. 1. The pattern and motif pattern is to achieve - given the purpose of the design and drawings carried out. Decorative patterns not only a function of the use of a more spiritual function. Pattern as an adjunct to the article outer decorative patterns, follow the footsteps of human development, can reflect characteristics of the times and people's way of life. Decorative patterns on its shape and color, or instead more emphasis on all items for their coordination and contrast. In particular, the pattern itself is some kind of mood shape, color expressed in the articles added to make fun, users get rich spiritual enjoyment. 1.1 pattern of "Motif" old - generation National Arts and Crafts designer and theorist, former president of the Central Academy of Fine Arts Lei Gui Yuan in the "pattern motif," a paper has pointed out: "the ancient and modern design, is certainly not the mother questions to determine its appearance ";." parent is a national mark, the concentrated expression of the people's will, but also the spirit of the times, we should study it, attached to it, develop it, "Therefore, decorative objects and the use of design patterns Never is a simple combination of point, line, surface, graphics, color, and it's subject and content determines the artistically and culture patterns. In this sense, furniture decorative pattern design and application is an art creation, to reflect the culture and temperament Economic and Social Council. 1.2 Ming-style furniture and modern Chinese furniture decorative pattern decorative pattern motif throughout China five thousand years of history, the Ming Dynasty is not, and Han, Tang glorious peak, but the Ming Dynasty of feudal culture is perfect stage of development, but also of the seeds of capitalism stage. With the establishment of the Ming Empire, the legacy of the Yuan Dynasty, "Hu Feng" old was - washed away, Han and Tang clothing, crown, culture, was able to re-establish recovery; while there have been many innovations in the institutional and cultural. Improving the examination system, the government relaxed restrictions on enrollment and eligibility status of Imperial, which makes reading down to expand and cultural groups of people, a lot of experience in the rough expedition intellectuals reduced the private sector, in turn, improve the public's taste training and aesthetic level. Ming Dynasty's highly centralized and led to the idea of ??culture change began in the mid Ming Dynasty, but to break the social, cultural and human mind tends consistent with the conservative pattern. In short, the Ming unique social culture, not only contains the Han ethnic tradition since the Tang, another traditional rebellious, reflecting the novel - face. Because of the social and cultural characteristics of the Ming Dynasty have such reflected in the Ming-style furniture and innovative, not only embodies the bold atmosphere magnificent Tang, Han period, but also embodied the bustling, open side. So the Ming-style furniture as modern furniture decorative pattern motif and combine modern ideas, modern Chinese furniture contains a more profound cultural heritage. 2. For a summary of Ming furniture pattern for summary Ming furniture pattern predecessors have made a great deal of work in this I just make a simple repeat: the Ming Dynasty furniture decoration techniques varied, decorative materials is very broad. But do not bite off more than a pile, nor intended to carve song. But local decoration just the right according to the overall requirements. Although already applied decoration, but on the whole still lose the simple and graceful character can be described as appropriate and decent, icing on the cake. On performance techniques, the Ming-style furniture decoration pattern soil supplemented with carvings based inlay, painting, decorative hardware and other means of expression. In terms of content, Ming-style furniture in the Ming Dynasty furniture vivacious styling form a harmonious unity of decorative patterns. Style is extremely rich, everything. We have the following main categories: plant patterns pattern, pattern animal patterns, geometric patterns pattern, pattern design objects, design patterns and other figures. Various patterns affected folklore, art, literature, religion, politics and other aspects of being given a different meaning and mood. It is noteworthy that in the Ming-style furniture decoration design patterns on the surface seem to simply pray, but people yearning for a better life, but essentially is - kind of manifestation of cultural interest, is people at that time thought and sociocultural response. By drawing in the tradition of modern design process, this is the essence of our need to grab. 3. After using the Ming Dynasty furniture decoration pattern style modern Chinese furniture of the Ming-style furniture, decorative pattern of learning, I made some not very successful design, some of the successful application of contemporary Ming furniture design style creation of case analysis and research, draw the following experience and hot when these people for modern Chinese furniture in the rational use of traditional elements should be common. 3.1 pairs have a certain understanding of traditional culture in order to get to the modern Chinese furniture from the Ming-style furniture inspired thinking decorative pattern, so that works with a strong tradition 冈格 and culture, we must first understand the characteristics and traditional culture of Ming furniture STRUCTURES pattern familiar to use in the design. It must not be applied mechanically, otherwise work or simply retro; or a mere formality, the lack of highlights, the setting will break the whole system works resulting feeling of clutter 3.2 design aptly direct reference to the traditional elements with the development of society, people's aesthetics and aesthetic needs changing, but in these crystals traditional culture and art, you can always find out in the traditional elements meet modern aesthetic demands and make direct reference to the traditional elements are combined with modern styling have. 3.3 pairs of traditional elements into the traditional elements of the deformation are summarized in a lot of things is not suitable for the needs of the modern aesthetic taste, in modern Chinese furniture design - should maintain the traditional aspects of modeling group to a certain extent, the original color on the other meters that you want On this basis, careful abstract, summarize, simplify or extend, enrich, exaggerated. For example: the pattern of inheritance in the traditional shape, the color does not adhere to the traditional, but to summarize, simplified to make it more modern. Shenzhen Jia Hao Ho Room Industrial Company developed the Jane Eyre series is the traditional moire pattern with flowers made of induction and deduction. 3.4 combined with new technology, new materials, the use of traditional elements of the traditional tedious process and increasingly scarce timber is obviously not suitable for the development of modern furniture industry, so in modern Chinese furniture product design process, should be combined materials and manufacturing processes of different design Traditional Jane different patterns, free and flexible or structured rigorous composition, rich or simple colors. For example, in the simple wood engraving and milling, carving patterns; on the glass material can design complex etching patterns, for wood-based panels can also design some colorful delicate mosaic pattern skinning and film. Kukaboluo master design totem chair in 1999 is based on the traditional Chinese dragon pattern patterns combine to attract generations of furniture materials, processes abstract made no gauge success stories. 3.5 can only be a reference to the traditional elements of cultural interest in the use of traditional elements of Chinese modern furniture design process, pay attention to the performance of formal beauty, we must also pay attention to promoting cultural connotations implied occluded patterns, or even in the traditional elements cultural connotations aside immediately after refining these elements, combined with the modern spirit to be interpreted, only the traditional elements of a beautiful meaning, fun introduction of modern design, its essence to its dregs, so that the reproduction of modern life, which would also make the products more "cultural value", improve product quality. Moment, "simple" is the style of furniture trend, with simple primary characteristics of Ming furniture decorative pattern for the formation of modern Chinese furniture style has a strong guiding significance. Learn traditional culture, traditional patterns research purposes, it is also to apply their knowledge. Creation is based on the history of creation, based on the traditional process. China open to the world, but also need traditional culture and modern civilization. This is what we modern people face up to five thousand years old civilization again, to regain the splendid ancient treasures purposes. When the (original published in 2007 two "Home and Interior Decoration" magazine since ancient times, Chinese people advocate to lead a quiet life leisurely and elegant, perhaps influenced by Confucianism, emphasizing the relationship between man and the environment , holding on to the nature of Heaven, the overall balance of the concept, to which the natural environment taking a go with the flow attitude, or is it also affected by the number of years of traditional culture in the romantic, noble sentiments and other influence therefore the ancients in pottery, built gardens, furniture, calligraphy and painting at the same time as, in fact, is the pursuit of a quiet state, to maintain the mentality of honest portrayal emanating from the Ming-style furniture out of the delicate sense and artistic appeal, it is evident see, it is thanks to the formation of its unique cultural characteristics, but also time-based furniture and furnishings user environment. sixteenth century early seventeenth century, a time when Pop Culture boom to the Ming Dynasty, although at that time the northern community unrest, political corruption, the war continued, but distant smoke in the southern region, but in the big build houses, gardens and palace, and the main daily necessities and furniture for indoor furnishings, increased demand, Soviet-style furniture and Cantonese-style furniture design and production levels reached a peak at this time, at the same time, it created a brilliant Ming Dynasty furniture, especially the construction of private gardens in Suzhou, its architectural art from nature, but also higher than the natural, private garden and is elegant piano scholar Chess calligraphy cultural and social spaces and private gardens of many masters, in itself rhetorical exercise Mystics, in the construction of the garden, make furniture, they are often personally, in accordance with the aesthetic philosophy scholar gentry involvement garden furniture design in this unique the natural environment and cultural atmosphere, the decision of Ming furniture design style! From Ming-style furniture, can feel a natural elegance and simplicity of design, the construction, which uses tenon structure, depending on the Different parts of the design tenon, without nails and glue. In the selection, like the natural quality of wood, because of its delicate texture, color deep elegant, to the furniture into the culture, such as the color orange, bright, beautiful natural wood pear furniture, by the Ming Dynasty literati favor and respected, pear rustic furniture gives the pure, simple and bright artistic temperament and beautiful form, so simple yet profound implication furniture literati atmosphere. The Rosewood deep tone, cool color Since suitable crafted decorative craft, so better able to cater to some of the talk faction field, a penchant for luxury, the pursuit of Wealthy dignitaries favor, but it is far from the aesthetic taste of pear furniture! From the choice of wood You can see the status of two different cultures, it has also become a special kind of furniture culture phenomenon in the decorative, the ancients to the things of nature and the human good will combined with a wealth of imagination and good moral of the people loved mascot, auspicious patterns throughout the furniture design, China advocates modest manners, integrity dignified conduct, in shape, Xian Ming-style furniture styling vigorous training, flowing lines, the proportion of moderate, stable and generous. In a sense by Ming-style chair to rest, perhaps not the best way, but it is at the ceremony, social, ethical, exceedingly in the rest of the function, Ming-style chair for the user, it seems more care in the comfort of a culture. Furniture, furnishings as the main facility is in daily life utensils, but also a cultural and spiritual culture carrier material, from the history of human civilization, the Ming-style furniture is actually a traditional Chinese literati gentry culture materialized a kind of manifestation, it reflects the more prominent features and connotation of Chinese traditional literati gentry culture. Therefore, Ming-style furniture, whether in the shape, materials, decoration, craft reflects the unique culture of the pursuit of traditional literati: natural and ethereal, elegant and tactful, free and natural and subtle charm, the transmission out of a rich pedantic. Chinese traditional culture "Bachelor" gas and "wind" degree, "flat" elements and "festival" of "high" ancient and "elegant" Yi, in the modern history of art Modern furniture seems to have disappeared in the face the essence of the local culture of the atrocious reality of the gradual demise of the Chinese designer seem to know what to do, because they both want to retain their cultural imprint, also wanted to be involved in the international art trends in themselves, and this trend is in the direction of the West Availability of social development, the choice of content and form, artistic standards only Westerner to judge the center, which makes the modern Chinese furniture in the nation lost the essence of traditional culture, while also being the so-called modern Western culture confused and get lost. In recent years, some foreign designers frequently in and out of China, but also served as contest judges, and are appointed honorary professor, bustling! But if we can sit down and think, in fact, we spend most of hired retired master truly combat-type, active in today's international design community design master, there is very little free time out of the "show" a. Every nation has its own unique personality culture, it is an integral part of world culture, any one culture can not dominate the other culture, otherwise it is ridiculous! Therefore, the most urgent task of our furniture design, designers should cultivate self-confidence to start, so that they understand that China is one of the world's oldest and most established countries with cultural traditions, Chinese furniture culture is one of the world's cultural treasure trove important part Chinese furniture furniture art artistic achievements of the world had a significant impact on furniture design culture is a precious resource, some Western famous designers have attached great importance to the Chinese traditional furniture culture of research and learning, they will be Western and Chinese classical style interconnected traditional furniture styles, designed for Asian tastes can cause both Westerners interested in innovative furniture. Western designers are still capable of traditional Chinese furniture art so digestion and absorption, our designers can turn a blind eye to their own ethnic and cultural essence of it? We are in the era of knowledge economy, focusing on leadership and knowledge innovation culture, furniture design is reflected in the material and spiritual culture of industrial products, only the excellent local ethnic culture into modern furniture design, and learn modern design creative concept In the succession of innovation, innovation in development, to build with Chinese national characteristics of modern furniture culture fulcrum. Chinese splendid culture and long history of the past is very much impressed the world! But do not be such a deep, rich cultural history as a burden, the only way to build their own new cultural connotation in today's era. Meaning of traditional culture is not the form but the spirit in fact, only borrow the ancient art forms and symbols, and is called the traditional essence of traditional distortions, not the traditional culture as a burden and immutable, or is anti-traditional. Modern furniture as people's daily necessities, designers should also focus on the relationship between form and function between the two, we must meet the needs of consumers, through a variety of means to achieve this goal, not only to coordinate between the product and the user relations, structural problems but also properly handle the product itself, good or bad because details of the deal related to the merits of the quality of furniture design. On this basis, to pay attention to aesthetic furniture, other elements, such as modeling moral, trying to achieve aesthetic function and use of functional harmony and unity, which is the highest goal of all product design. Since the beginning of furniture products for human use, people's aesthetic taste tends to extend toward the poles: the excitement and novelty of the stimulus novelty, will enable people to get fancy when. Nostalgia, it can cause people to recall the passage of years, in order to Pinza cozy comfort, so the origin of many creative furniture design, are all of these aspects to take aim, extend, and excellent furniture design is often to find exactly the meeting point between the two, making the furniture design embodies modern style, not to lose tradition! Artistic creation is infinite, we have to wash your own brainwashing furniture designers, we have to give up the habit of thinking as possible, and even we have some experience, and we accept art education brought about a negative impact, it should be understood that the design property division personal creative artistic activity in this life, the essence of furniture design, each designer must determine their whereabouts innovative thinking to challenge the impossible. Designer's task is not to publicize the beauty of knowledge, but do lead the vanguard, and open up new ideas. So as to limit the reach and depth of the realm of nothing in the creative process, this is the right artistic mentality. Furniture design the most important is an attitude and way of life. In determining the function of the premise, but also focus on the form, it should be considered a very good design. But not enough, a good design, but also have quality. Quality associated with the design is great, although I agree quality is created, but without ignoring quality design. In my design, do not function (practical) design, but do not have the quality assurance of design (energy production in existing conditions). Human development too fast, beyond the natural, the problem is big, so in the design process had to pay attention to environmental protection. This is the respect for the environment and respect for nature's user. Modern furniture design combined with special emphasis on ergonomics. The so-called ergonomics, is to make use of the way the tool as much as possible for the human body's natural form, so that you can make use of tools people at work, body and spirit without any initiative to adapt, thereby minimizing the fatigue caused by the use of tools. Ergonomics has been widely used in modern industrial product design, used in furniture design is also mature. It is the basis of furniture with special emphasis in the course of physiological and psychological reactions of people, after a lot of analysis to provide scientific basis for furniture design. Meanwhile, the decomposition of human work, study, rest and so life behavior model into a variety of positions in order to study furniture design, according to people standing, sitting and lying position to regulate the reference point between the basic measure furniture and furnishings relationships. In the modern home decoration, often only pay attention to the pursuit of individuality while ignoring the furniture design size of the problem, bring to life the unnecessary trouble, sometimes affecting their health. So experts suggest consumers: home decoration in the pursuit of individuality and environmental protection, we must also pay attention to standard size. The living room is the room of the facade of furniture size requirements are the most stringent. How much sofas with coffee table, suitable for display how far from the TV, etc., are all doorways. If you want to create a comfortable space coordinate, then you should never underestimate this problem. Specifically, in furniture design, cabinets, highly engineered platform without seats and tables class people orthostatic prevail reference point; the use of seat furniture, such as desks, tables, chairs and so on in order to seat whichever is the reference point; bed, sofa bed and couch and other bedding supine reference point to prevail. Falcone wood cabinets official website: www.faluoni0373.com www.51shimu.com