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Costume design exquisite three-dimensional sense of space, how to set up the body to convert the drawing plane cut, is the need to constantly accumulated precipitation, spatial awareness training is the most basic part, including three-dimensional configurations and other three-dimensional modeling should also have, so clothing designed to meet the body's shape. First, the three-dimensional spatial awareness training specific embodiment of fashion design with a flat shape and dynamics modeling features. The three-dimensional sense of clothing and style by the plane into three-dimensional modeling practice, the basic principles of teaching costume design. The use of three-dimensional shape of active thinking, revealing details of the shape of clothing, consistent relationship between the parts of the study as a whole and partial combination of form, is the basic feature Course. Costumes combined with the human form, adapted to people's various activities. Soft sculpture known for high fashion, evening dress fashion, performing arts fashion is concerned, although they form a beautiful, cutting it improbable: modeling method using only the plane unfolded, often difficult to achieve the desired effect, only draping methods and lack of imagination. Designed to do this kind of clothing, the use of draping and structure design better parallel. Clothing is called "mobile sculpture," and the sculpture has been likened to a frozen music. Architect should work with sculptors as the use of three-dimensional thinking to create, that is, in stature or the human body three-dimensional frame shape and the amount of cut plate, cut the use of techniques and making way to create a combination of colorful costumes straight . Modern fashion design, multi-use three-dimensional renderings were thought to examine the appearance and style modeling analysis, a deep understanding of the relationship between models of three-dimensional configuration, carefully study the style modeling clothing conferred artistic style, in-depth understanding of the structure and the body surface clothing relationship. It normally takes the shape of artistic design and technology in two parts. The former three-dimensional space using clothing concepts and laws of formal beauty and modeling tools to add style design, cut, repetition, omission, exaggeration, distortion, and make its structure by means of three-dimensional perspective of the imagination, in the shape of a final accord style design requirements. The latter is through structural expansion and special processes, the need to fashion design, similar to the side of the operation, while changes to make clothing bump in the plane more difficult to deal with the effects, folds, curves, wave potential and complex lines in structural design get adequate performance. In fashion design that often appear in such a situation, clothing renderings stage well done, but to make clothing, but with very different vision. The main reason for this situation is the lack of perspective awareness and designers from the plane into three-dimensional training experience in the structural design of the clothing did not lead thinking exhibited by space aesthetic features, constrained design imagination. People with clothing belong to hyperspace entity exists, good spatial awareness training is essential. It should be said in the space of beauty and sports apparel beauty is infrastructure design. Flat and three-dimensional modeling clothes are "modeling space", but their constituents, composition principle is different, people observe their emotions and feelings constitute methods are not the same. They rely mainly on cutting plane shape contour for clothing. A definite outline on the performance of a plane positive attitude, and a three-dimensional form of no fixed profile. For example, a circular plane, its three-dimensional shape, but the ball, but the cylinder, but also semi-circular, and may be top-shaped, obviously, not only on the creation of three-dimensional shape of the profile (ie projection), but also to rely on the entity " quantity. " For planar shape, no matter from which point of observation can only see the plane, which forms in addition to some changes with the outside perspective there is no fundamental change, three-dimensional shape is not the case, according to changes in the position of the observer, it can exhibit different forms For this three-dimensional structure designer needs