Porcelain identification of knowledge

Generally speaking, porcelain identified, largely from various type, decoration, glaze, style and so on. Type connection, fake focused on the shape of antique objects, honest, clumsy, beautiful, exquisite, gorgeous different styles to study in detail analysis and comparison, to find out their evolution. Library news generally speak Chinese porcelain, porcelain identification, largely from various type, decoration, glaze, style and so on. Type connection, fake focused on the shape of antique objects, honest, clumsy, beautiful, exquisite, gorgeous different styles to study in detail analysis and comparison, to find out their evolution. Yu Hu Chun bottle to name an example, since the Song Dynasty was founded as well as the late Qing Dynasty, dynasties are making, and the style is on behalf of a change. Such as when the Qing Emperor Yongzheng imitation Ming Chun Yu Hu Xuan Deqing flower bottle, although production Seiko, but the rest do not set on regardless, one of the subtle differences in shape can only see a little clue. In addition to the overall style, for different objects, but also from the mouth, abdomen, bottom, handle, ear, neck, flow, Department of Internal porcelain enough to be observed, and various local, take a look at the similarities and differences of each era. If often play and measurement Jiangsu shaped Tibetan Culture Communication Co., Ltd. is identified as one of the antique auction company! Annual collection collections, trade, exchange, and a series of transactions in private auction scheme. Contact: Manager Zhou Tel: 15295031271 QQ: 392439051 E-mail address: 392439051@qq.com Porcelains body parts, body weight thickness, memorize size, very favorable for the identification of the work. Porcelain identification ornamentation, too, like shape, with distinct characteristics of the times. Regardless of subject matter, decorative techniques intended or technology, ornamentation different periods have different performance, as a strong basis of porcelain dating and detection of forgeries. For example, the early Ming Yong Xuan blue porcelain loose material dizzy and depressed scars and other unique phenomenon, generations of imitation goods can not accurately reproduce the Qing Emperor Yongzheng imitation Yong Xuan, a common complex pen to deliberately aggravate dyed blue green imitation than the declared results, but different cobalt material, it can not overcome the shortcomings of floating color. Another example is the Chenghua bucket color tattoo of "flowers without nightside, leaves no reverse side"; painting figures drapery without rendering, regardless list, such as the unlined. These subtle characteristics of the times, often overlooked for future imitators. As for the evolution of technology applied color, the color of Chenghua bucket color Chazi unique and is not applied in black color (black color contour outline should not be older than the earliest Masanori); Ming Dynasty and early Qing Dynasty are deep red color red Zaopi ; Ming Dynasty was yellow-green color more green; pastels are only appeared in the late Kangxi; such knowledge must have. In addition, the style and brushwork ornamentation pattern performance, is particularly noteworthy. After the early Qing Dynasty as imitation enamel, pastels, colorful, bucket color and other artifacts, often significantly stiff brush, childish, rusty, broken stagnation, or pattern level is unclear, there is no vividness too delicate ornamentation, is sufficient to cause us suspicion. Glaze aspect, fetal bone, enamel is clothed. The differential aggravation, from the Foot of unglazed at the start, pay attention to tire the soil Amoy careful refining degree of purity and sintering. Because the times are different Amoy refining method, before the Ming Dynasty than in the Qing Dynasty, the Republic of China, fetal soil more metal-containing impurities. Such as the famous NewMargin sand bottom, a dark brown exposed fetus can be seen at the star point metal oxide is formed naturally red or flint; then imitation of the Qing Dynasty, the Republic of the carcass, but are due to Amoy refining too small, no such oxidation spot, become fake fatal flaws. Also welcoming the Ming carcass ray, more red meat significantly; Chenghua carcass was translucent white and pink and white teeth. The Qing Dynasty and the Republic of fake goods is significantly bluish white. Kangxi porcelain quality pure, delicate, hard, for the beginning and end of the Qing can not imitate; and many Japanese imitation of Chinese Ming porcelain, ceramic sintering Taizhi the extent they are too high, lightly pressed with finger, sounding clear and, on bear a close resemblance in terms of imitation goods, but also a defect. As for the identification of glazed, mainly old should be observed, the thickness of the glaze layer, and the size and extent of the bubble density enamel thickness, gloss. Such as the Ming Dynasty porcelain glazed green white flashed varying degrees, the body of the Foot-glazed and glazed more inconsistent; often colorless early Ming glazed opening film and crawling natural phenomena; the Ming Dynasty Xuande orange peel glaze, and and the late Qing Dynasty Emperor Yongzheng, between the Republic of China after the small wave pattern imitation, has subtle differences; Kangxi porcelain glazed with a tight sensation, light green glazed hard, pulp white glaze, and foam breaking phenomenon. Many, each with typical characteristics of the times, to see through the most convincing counterfeit goods. Another look from the old luster glaze, a lot of imitation author trick, the imitation goods glazed as the old: soil burial, polished, slippery medicine, tea boiled, pulp Da, even a little damage to break, to show unearthed shape. Then these are not natural for the old luster, never without that longstanding porcelain, natural form of "crisp light" phenomenon. Finally, the inscription aspect, the history is different. Experience of generations of knowledge of different styles, from research strokes to start, and then the true and false porcelain inscription compared with each other, combining physical, anti-review of the font structure, arranged in the form of inscribed sites, as well as paragraph the word color depth gradations. In addition, attention should summarize the same period early, middle and late inscription different variation. Jiangsu shaped Tibetan Culture Communication Co., Ltd. is identified as one of the antique auction company! Annual collection collections, trade, exchange, and a series of transactions in private auction scheme. Contact: Manager Zhou Tel: 15295031271 QQ: 392439051 E-mail address: 392439051@qq.com