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Thus this type of picture is to appear in more. Another example is the Qing dynasty porcelain reward wind covered the Yongzheng and Qianlong, the ministers of porcelain Kerry, said, salty five emperor has given, as usual, is a white, blue Hualien as the main decoration, and the water bottle by as much painted decoration (There are nine such tours bottle Tongshen pattern). With this meaning of ornamentation, is said to represent official in the Qing Dynasty (Qing Qing homonyms) as the most important white lotus is inexpensive (Lin, Lian homonyms) clean, the water is a symbol of universal peace and prosperity means. Others such as barrel (EC) years (evergreen), two crab (a) transfer Lo (group of people), three sheep (yang) Kai Tai, forty-sixth son, five-lun map, Six States, Shichichin, Eight, Nine Gates Gordon, Bedford, Baishou, red bat (Hongfu) Monkey, etc., similar to those feudal superstition full decoration, many, such as further contact then appearing in the background of the Ming and Qing porcelain, for we have law of its development of great benefit. Moreover, as some commonly used porcelain decoration to be a strong circumstantial evidence in silverware, lacquer ware, bronze and even embroidery and other aspects of contemporary stories are not uncommon. If we can learn by analogy, cross-checked, can often find characteristics of the times, the identification of common law, and for the ancient porcelain ornaments of the more prominent features of the times well aware of particular need. For example yuan porcelain deformed rocks bearing flowers petals and color of the painting does not fill, permanent, porcelain Xuan Jiang bud with sea water morning glory, Masanori porcelain line palindrome wear flowers Long, JIA and porcelain flowers holding word and Taoism painting, Kangxi porcelain double ox horn peony and plum shadow, Yongzheng porcelain flower over branch and ball flowers, and Qianlong porcelain million spent reactor and other decorations icing on the cake, has an important role in the detection of forgeries in casuistry. In short, observe the porcelain decoration it is necessary to take into account the simple to the complex, from one color to the colorful development process, but also to pay attention to its subject matter, strokes structure and style of the times and of the materials used, and multiple reference other circumstantial evidence, before they come to the preliminary know, of course, can not be executed this end that is a light to conclusions, because the later use of so-called complex kiln mention color, old tires engraved filling color, plus floral and various techniques made of imitation goods, often enough to the real thing. It must then combined with other features, a comprehensive analysis and research. 1, the Qing dynasties porcelain, rich content, both common style, but each with different characteristics. 2, Qing Dynasty porcelain shape Junji, Kangxi, unadorned, full, rich, meaningful Xiuqiao Yongzheng and Qianlong then was structured, Jiaqing, dynasty after the Zhizhuo bulky. 3, the carcass, cut classes, general Bohou moderate, with thick round class is thin. Kangxi, carcass weight, hard fine. Yongzheng when Taizhi thin, nourish, white high. Dynasty after the carcass thick stupid, coarse texture loose. Cut class belly of the Qing Dynasty, neck seams extremely rare. Stay at the Ming Dynasty is exposed child, often pan flint red spot to the Qing Dynasty has basically disappeared. 4, glazed Ming Dynasty plumpness less bright, glazing thin, color slightly plainer. Junji, Kangxi dynasties, glazed smooth and delicate, combine glaze close, glazed respectively were plainer, pink, white sauce, hard bright green color and so are several. Yongzheng fine mortar shiny glaze, many have orange peel. Fan Qing Emperor Qianlong flat, Kerry Road after not flat, wave significantly. The late Qing thin glazing, enamel loose, causing strong enough. 5, ornamentation influenced by contemporaneous paintings, porcelain kilns, impressionistic realism coexist, a pen bold. Even Queen kiln, a pattern tends to standardization, pen nuanced, patterned formality, complex tie. Early ornamentation in the landscape, trees, use of ax pops toss and plated plus point, costume high police official in the beautiful, flower-soft painted using boneless painting. Late ornamentation characters facial atheism, big nose Long, dragon form this period varies, both large square head, is Su vigorous, but also delicate and exquisite fine body, usually the lion head, long hair more Long legs was prominent, strong three-dimensional sense of the legs, clumsy dragon, four claws and general painting Ipomoea, like chicken feet. 6, in the Qing Dynasty, as porcelain technology by the influence of Western painting, which appeared in patterns characteristic of Western-style painting on porcelain. As in some export porcelain enamel and porcelain, often you can see some of the patterns of Western painting figures, buildings, boats and dogs and the like. 7, the Qing Eight pattern for the round, spiral, umbrella, cover, flowers, pots, fish intestine. 8, large artifacts and early artifacts, mostly smooth sand bottom. Junji, Kangxi porcelain foot type is more diverse. A double circle at the end, raked end desktop bottom floor, lying full, rounded shape loach back foot and so on. 9, Jingdezhen kiln mostly emperor reign paragraph, kilns have Lunar model year, auspicious money, private money and stamp section and so on. There are printed, engraved, blue, red glaze, gold color, material color, variety, Kai seal are. Kangxi Kai seal little more, Yongzheng Kai, seal and use, Qianlong seal Kai little more. Late Tongzhi and Guangxu, Xuantong three dynasties, on kaishu as much, peripheral circles or block format. Kiln inscription scribbled more freely, font hasty.