Soundcraft mixer LIVE42 32 (RW5223) Beijing Agent

32 4 stereo mic 4 grouping 6 × 2 matrix independent phantom power per channel mixer five sizes: 12, 16 Road, 24 Road, 32 Road and 40 Road. 40 channels can be accessed by up to 56 sets of input four group busses patent UltraMic + super microphone amplifier, 66dB gain, Sec balance, the middle two can be the first frequency 18dB / octave high-pass filter EQ bypass switch auxiliary output of six groups, four groups before or after the fader selectable four mute grouping for sub-field purposes 6 × 2 matrix outputs, providing additional output mixes in addition to the two groups separate microphone input, the four additional stereo inputs (12 channels, only two groups) four stereo effects returns each group has a separate audio channel input 8-channel expansion phase reverse switch assembly (optional) mono input technical parameters. Balanced XLR microphone input jack, balanced or unbalanced microphone to accept a variety of signals. -129dBu EIN (equivalent input noise) to ensure high-quality microphone amplifier quiet clear audio. 2. Line-balanced 1/4 "jacks, accepts balanced or unbalanced sources, such as health disk or other electronic instruments. 3. + 48V phantom power for condenser microphones to provide + 48V DC phantom power per channel with separate switch, so that the capacitor and dynamic microphones use a mix. 4. Direct output impedance balanced output, after the fader / or balanced, multi-effects processor to send the sound track tape recorder. 5. Insert allows a compressor or graphic equalizer and other processors into the signal Road 6. phase switching when multiple microphones simultaneously, may lead to phase problems, by inverting switch 7. Input Sensitivity proprietary low noise, high gain UltraMic + microphone amplifier provides 66dB gain, any source, from weak The telephone handsets as well as line-level, can be arbitrary insert XLR or 1/4 "socket. Gain control smooth and uniform. 8. EQ section four balanced, two optional intermediate frequency sweep range of 550HZ to 13KHZ, and 80HZ to 1.9KHZ, ± 15Db. High and low points are located at 12KHZ and 80HZ, tilt also ± 15dB. 18dB / octave high-pass filter, crossover located at 100HZ, designed to filter noise and spray foot stage microphone sound. EQ In / Out EQ bypass convenient tuner compare before and after results. 9. Most auxiliary output auxiliary output of six groups, the flexibility to change the combination. If you need to send back more temporary hearing, four of which can be compiled for the pre-fader. On the contrary, if need more effects returns, four of which can be compiled for the post-fader. 1, 2 and 3 are both former auxiliary fader / pre-EQ (equalization via internal jumpers can be changed to rear). Auxiliary 3 can be changed by a jumper after fader. After 4 generally connected to the auxiliary fader / balance, but can be changed in the main part of the pre-fader / pre-EQ. Auxiliary 5 and 6 can be connected to a fader, post-EQ. 10. Pan cry potential shift control of the stereo image position 11. Channel selection Select the input signals to the mix (L / R) or four grouping. 12. Yasheng Group mute switch and switch off the output of all channels, mute can also be compiled for the four groups, independent control mute, suitable for breakout, switch different combinations of microphones. 13. PFL Pre-Fader Pro listen Press PFL, from pre-fader "solo" signal to the earphone, L / R level meter to monitor, only as listeners tune, does not affect the total output of the output. When PFL solo display lights up. When set press PFL, this lamp is used as the peak display. 14.100mm Decay linear device (fader) for precise level control, as the level of normal 0Db, there are 10dB gain the upper limit. Stereo input part of Four stereo input is provided on two input module, 12 channels, only two-way stereo input. 15. Two pairs of balanced input plug 1/4 "stereo jack to connect left and right channel is mono only if connected to the left channel 16. The deck / CD Most market semi-professional standard level of equipment. - 10dB, and civilian equipment to -20dB. Professional match levels of these devices, and optional front -10dB or -20dB. two faders auxiliary output directly connected to the mixing bus 17. main stereo input full-function input, mainly connected with the industry, health disk or other electronic instruments .22dB gain control to match different sources. two balanced high-frequency point optional 6KHZ or 12KHZ, low-point or optional 60HZ 120HZ, ± 15dB. auxiliary output section with mono same, only difference is the secondary, 1,2,3 balance fader knob controls the front / rear .BAL left and right channels of balanced proportions. grouping section 18. Grouping Output impedance balanced four groups, Group output XLR socket may contact auxiliary speaker or recorder 19. The insert 1/4 "socket, serial outside signal processor. 20. Four stereo returns to 1/4 "socket, so that after the effect of processing a stereo signal is returned. Or used as additional stereo inputs. 21. Table 12 Grouping level segment level meter peak beam 22. The stereo return control level control The signal can be sent to the bus or a mixed group. 23. 6 × 2 matrix matrix sends input from four marshalling and mixed (L / R), and then re-mixed into two independent output signals. These two sets of outputs can be used then slap, delay, etc. In the MIX section, Matrix Send button under a Stereo can be two-way fight for the stereo matrix output 24.PFL switch PFL solo for each group can be monitored. When the PFL state, indicator glows bright 25. Grouping 100mm fader faders, you can choose to send a mixed output, or independent mono output selector switch is provided between 22 and 23. 26. The main part of the two groups mixed output impedance balanced design output, XLR Plug, mixed signal L / R main PA system to the foreground. 27. matrix outputs two independent output matrices A and B 28. The mixing insert can be cascaded limiter (overload) shown on a hybrid bus and room equalization (improving the acoustics defects) Recording 29. Output two 1/4 "socket, -10dBV level, matching deck or DAT recorder. 30. Auxiliary output of six groups of impedance balanced 1/4 "socket, send temporary hearing or effect. 31. The two groups of 12 Master level meter peak beam segment level meters show mixed signal level. However, when any of the channels selected as the" solo " When displayed solo level. 32. Call part through the auxiliary 1-4, mixing or grouping, let tuner dialogue with the player, set the call level control and microphone input. 33. The total output matrix Master Control Matrix 34. Master fader level two 100mm attenuator potentiometer (slider) controls the mix (left and right) output bus 35. The secondary master controls in each auxiliary output levels. Each channel can be AFL (push After the child listen to solo Pro) can be increased from the auxiliary fader 4 pre-fader later changed when the former instead fader display lights up. 36.PFL / AFL indicator lights when any PFL or AFL is pressed , indicator lights 37. The headphone level control 38. Mono Check] when it comes to phase problems, make a left and right channel outputs are summed for system testing. 39. The master control four mute mute grouping, display light indicates working status. 40. Headphone jack 41. Power LED 42. Power input jack